Andrew Lloyd Webber thinks in the imminent return of Broadway and the West Stop. That is all he asks of you.

Andrew Lloyd Webber was not throwing absent his pictures. The to start with was administered in June, the comply with-up in September. As a consequence, he is a billionaire Broadway songwriter and British lord with a new title to insert: guinea pig in the University of Oxford coronavirus vaccine trials.

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“I imagined, if I’m heading to check out and begin obtaining people today into the theater once again, I might as nicely have a go myself,” Lloyd Webber states by Zoom from 1 of the London theaters he owns, the Gillian Lynne, renamed for the late choreographer of his megahit “Cats.”

“They explained, ‘Well, we seriously want old, dilapidated people today like you for a demo with old, dilapidated people.’ So I acquired onto that one and the intriguing matter in the Oxford vaccine results that were being published: They come across the vaccine is working improved on more mature men and women. And I imply, I have experienced no poor reaction to it at all. None.”

At 72 several years of age (that is 14 in cat several years), Lloyd Webber bears no indications of decrepitude. As the composer of 20 musicals — with a 21st, a new edition of “Cinderella,” becoming prepped for the West End — and proprietor of six London theaters by means of his business, Truly Practical Team, this lord is unique in the enterprise. He’s an all-inclusive impresario, the 1 artist in musical theater who can dream up a exhibit, generate it, raise dollars for it, solid it, place it on one particular of his individual phases and provide memento T-shirts to the clamoring crowds.

So possibly it makes feeling that a artistic power of this magnitude would be the antsiest theatermaker on either aspect of the Atlantic for a return to some thing like normality. On the matter of having theaters reopened properly worldwide, Lloyd Webber is a Pied Piper, testifying at government hearings, urgent business leaders, giving interviews — collaborating in vaccine trials.

He’s so invested in how to envelop theatergoers in a protective antiviral cocoon that he spent a fortune bringing to his 2,200-seat London Palladium gadgets from South Korea that emit antibacterial mist as ticket holders move via them. He claimed he was about to put in them — as they experienced been utilized for a Seoul production of “The Phantom of the Opera” — when authorities from General public Health and fitness England stopped him out of worry that the spray could damage get hold of lenses or cause skin rashes.



a man and a woman looking at the camera: Carrie Hope Fletcher, above with Andrew Lloyd Webber, holds the titular role of Webber’s new version of “Cinderella.”


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Carrie Hope Fletcher, above with Andrew Lloyd Webber, holds the titular job of Webber’s new version of “Cinderella.”

“So individuals equipment are sitting close to,” Lloyd Webber claims. “I’m heading to say they’re artwork installations.”

The composer describes these types of operate-ins with British bureaucracy in the wearily incredulous tones of a person toggling between the worlds of fairy tale princesses and Kafka. He is, following all, seeking to help you save theater.

“He’s a exceptional cheerleader,” claims Charlotte St. Martin, president of the Broadway League, the trade organization for Broadway producers and theater owners. She has had a standing weekly contact with Lloyd Webber and other Definitely Useful Group executives for 7 months, and she notes that he has even held her spirits up. While some have scoffed at Lloyd Webber’s optimism in excess of reopening, St. Martin states, any naysaying “hasn’t slowed him down one bit.”

“You know, he volunteered for the vaccine,” she provides. “We were being all hoping to communicate him out of it because he is not a spring hen, But he was adamant. He required to prove folks of a particular age could take it and be healthy.”

[New York City can’t rebound without Broadway. And Broadway’s road back is uncertain.]

Theater in Britain, as in the United States, has been on maintain considering the fact that early this yr, despite the fact that for a spell this slide, authorities allowed the Palladium to open up once more at 50 percent potential. Van Morrison done there in late September, and a concert of American composer Jason Robert Brown’s “Songs for a New Entire world” was staged in October, in advance of the lockdown was reimposed in London and other parts of Europe later on that thirty day period.

On the new early morning we spoke, associates of Lloyd Webber’s workforce achieved with government officials — “Hopefully, he’ll have contemporary dish from No. 10!” his New York publicist emailed — for an update on the shutdown, as the novel coronavirus numbers rose. (Reality check out, listed here: Can we Yanks perhaps wrap our heads all over the idea of an urgent White House confab with theater executives?)

“From what I’m hearing, it is the standard three ways ahead, two methods backwards,” Lloyd Webber avers. “It was a further federal government committee currently, just one seeking to report back again to the primary minister about where different enterprises are.

“Of system, you preserve having to educate them all the time about theater. I suggest, the one question I had as I was getting debriefed was, ‘Do they notice that theater is not like a football match?’ That . . . even if it’s an previous production, you’re likely to have to acquire quite a few weeks to rehearse and get it again up again?”

Lloyd Webber claims his firm, with its throughout the world arrive at — his “Phantom,” created with Cameron Waterproof coat, is the longest-running present in Broadway record — has turn out to be a “little little bit of a clearinghouse” for information on restarting. “Every other working day, I get a phone from producers in America and producers close to the earth,” he says, incorporating: “It’s what I appreciate, theater is what I appreciate! We have obtained to do this!”



Cameron Mackintosh, Richard Stilgoe, Peter Land standing in front of a crowd posing for the camera


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That assertion goes unquestioned by his friends and by his Friends. As Waterproof coat pointed out in an viewpoint piece in July for London’s Evening Normal that took health and fitness officialdom to endeavor for overzealousness, Lloyd Webber’s exertions come from a area of enthusiasm. “Even the expensively imported Korean hygienic fog machine bought condemned as unsafe by PHE — the Marx Brothers would have problems topping that,” he wrote. “Andrew is seeking his very best for the job he loves, for goodness’ sake.”

The pandemic lifestyle of a notably prolific composer does not, it turns out, offer all that a great deal in the way of downtime. Lloyd Webber has turned the audio area in his place home into a studio of sorts to generate the album for “Cinderella,” with tunes by him, lyrics by his “The Girl in White” collaborator David Zippel, and the title purpose performed by London-born actress Carrie Hope Fletcher. His identify and work surfaces regularly in well-known culture: An episode of Netflix’s just lately launched fourth season of “The Crown” attributes Emma Corrin’s Diana astonishing Josh O’Connor’s Prince Charles with an onstage rendition of “Phantom’s” “All I Ask of You.” Lloyd Webber suggests it is probable that it genuinely happened, but he can’t be sure: “Gillie [Lynne] may pretty very well have directed her doing that. I can not say 101 {bf70d5876dbc38092035f7e6ac13e537ed315ff93ca738272feaeee04ff38aeb} that I know it’s correct.”

[Fact-checking ‘The Crown’: Did Margaret Thatcher really look down on women?]

And only reluctantly does he get drawn into a regurgitation of how he stomached the movie version very last calendar year of “Cats,” so broadly reviled that some people today have been reported only to be in a position to watch it in an altered state. “I’ll be diplomatic,” he states, and then, entertainingly, he isn’t. “I just feel it was an amazing, possibly, form of one of the most uncomfortable activities that I’ve had, getting in any way involved in it. But you know, what can you do?” Wistfully, he provides that decades ago, Steven Spielberg experienced expressed a want to make an animated edition. “Anyway,” he declares, “it has appear and long gone.”

Right now, even though, his concentrate is on lobbying officials and coaxing back audiences with a comprehensive palette of precautions and techniques. In contrast to usually much more reticent American producers, who almost never go on the document on this subject matter, Lloyd Webber would seem keen to talk about his attempts for as very long as there is battery life in a recording gadget.

“If you went into the auditorium of, say, the Palladium, the first point that would transpire to you is your temperature is taken,” he begins. “They would do that pretty extremely promptly. . . . The 2nd detail is all the things to do with the ticketing . . . is contactless. There is no have to have for any kind of paper.”

He goes on to reveal the ins and outs of get in touch with tracing as a result of ticket purchasers, the “fogging” of the auditorium with a disinfectant that “stays about for, oh, can be a month but in reality we do it each and every 7 days.” Also, air circulation has been upgraded: “I’ve put in a large amount of funds on that,” he says. “The theater I’m in at the instant, the air is purer in here than it is outside.

“You would then clearly be asked to don a mask,” he carries on. “There would be other things . . . doorway handles, and just about anything you touch on the doorways are sanitized instantly.”

The improvements on the vaccine entrance further fuel Lloyd Webber’s optimism, a fervor you could describe as evan-Jellicle.

“I favor not to wring my palms and moan,” he states. “I think it is substantially, substantially greater to test and find solutions, and I believe we’re most likely to see things get much greater occur about April. I’m reckoning for obtaining into rehearsal with ‘Cinderella’ in March and opening in May. And I want ‘Phantom of the Opera’ to open in June right here. It would be excellent to think it could open on Broadway once again — and we could get Broadway up earlier than persons are saying. There’s converse of September, but probably it can be before now that the vaccine exists.”

A vaccine, or at minimum a person of them, that the lord of the theater has taken himself. Now, if only they’d permit him change on all those South Korean anti-bacterial equipment . . .

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